Rakul Preet Singh Clears Air on Jackky Bhagnani's Production Banner Amid Financial Woes
Image Source: Internet
Bollywood actress Rakul Preet Singh has addressed rumors surrounding her husband Jackky Bhagnani's production banner, Pooja Entertainment, and the financial struggles it has faced after the box office disappointment of Bade Miyan Chote Miyan. In a candid conversation on the Humans of Bombay podcast, Rakul clarified that the production banner is not shutting down, despite reports suggesting otherwise. She acknowledged that the film industry is subject to financial fluctuations, citing Amitabh Bachchan's experiences as a producer. Rakul also emphasized the importance of separating fact from fiction in the clickbait culture of today's media landscape. Rakul revealed that her husband Jackky went through a tough phase after some of their films underperformed at the box office. However, she stressed that this is a common phenomenon in the film industry and that it's essential to focus on the truth rather than sensationalized reports. The controversy surrounding Pooja Entertainment began when Akshay Kumar and Tiger Shroff's Bade Miyan Chote Miyan failed to meet expectations at the box office. Reports emerged of the production banner facing a financial crunch, with some crew members accusing Pooja Entertainment of delayed payments. According to a report by Bollywood Hungama, the production banner's office in Mumbai was sold to clear a debt of ₹250 crore. However, Rakul has now set the record straight, stating that the situation has been exaggerated and that Pooja Entertainment is still operational. In related news, Jackky Bhagnani and his father Vashu Bhagnani had filed a complaint against director Ali Abbas Zafar for allegedly misusing subsidy funds during the shoot of Bade Miyan Chote Miyan. Rakul's comments come as a relief to fans of the Bhagnani family, who had been concerned about the future of Pooja Entertainment. The actress's words of wisdom serve as a reminder of the importance of separating fact from fiction in today's media landscape.
