Tribeny Rai's 'Shape of Momo' Review: A Poignant Debut on Female Disillusionment
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In her directorial debut, Tribeny Rai crafts a nuanced portrayal of a young woman's struggle to find her place in a patriarchal society. 'Shape of Momo,' a poignant and tender film, masterfully captures the gradual disillusionment of Bishnu (Gaumaya Gurung) as she navigates the expectations of her family and community in a small Sikkim village. The story begins with Bishnu's return from Delhi, where she is met with praise and admiration from her relatives and neighbors. However, as conversations turn to her marriage and future, Bishnu is forced to confront the societal pressures that threaten to suffocate her. The Indian middle-class's rigid expectations for women - college, job, marriage, and children - are expertly woven into the narrative, leaving Bishnu feeling trapped and suffocated. As Bishnu's elder sister Junu (Shyama Shree Sherpa) returns home, pregnant and disillusioned, the family's dynamics become increasingly complex. Bishnu's grandmother, a scene-stealing presence, eagerly awaits the arrival of her son, who has promised to take her to Dubai. Meanwhile, Bishnu's mother (Pashupati Rai) tries to reassure her that the village is not the same as the city, where freedom and independence are mere concepts. Tribeny Rai's confident direction brings the characters to life, particularly in the early scenes where the multi-generational family gathers for dinner and conversation. Gaumaya Gurung shines as Bishnu, delivering a nuanced and confident performance. When she finally speaks out, her words are a powerful indictment of the societal norms that have silenced her for so long. While the film's second half falters slightly, 'Shape of Momo' remains a special and accomplished debut from Tribeny Rai. With its wistful ambition and scope, this film is a must-watch for anyone interested in stories of female empowerment and the struggles of women in patriarchal societies.
